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【輸入盤CD】【新品】Schubert/Lucchesini / Late Piano Works 3【K2020/10/2発売】

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『【輸入盤CD】【新品】Schubert/Lucchesini / Late Piano Works 3【K2020/10/2発売】』はヤフオクでから11月05日 20時 45分に出品され11月25日 20時 45分に終了予定です。即決価格は2,566円に設定されています。現在67件の入札があります。決済方法はYahoo!かんたん決済に対応。京都府からの発送料は落札者が負担します。ＰＲオプションはYahoo!かんたん決済、取りナビ(ベータ版)を利用したオークション、即買でした。

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Andrea Lucchesini is one of Italys most prominent pianists who has established his reputation with a recording series of the complete Beethoven sonatas as well as of chamber music (including for audite). His latest project is dedicated to the late piano works of Franz Schubert - a multifaceted musical cosmos in which Schubert liberates himself from Beethovens influence and pushes forward far into the modern age. This is also true of the two works that Lucchesini now presents in the third and final volume of his highly acclaimed Schubert series. They could not be more different: whilst the G major Sonata， D. 894， opens with tender sounds which only gradually die out and seem improvisatory， the Sonata in C minor， D. 958， with its robust opening chords reminds us of Beethovens pianistic style. Schubert had deliberately opted for this as his point of departure， from which he then developed his own concept for a contemporary sonata. Andrea Lucchesini， born in Tuscany in 1965 and a student of the legendary Maria Tipo in Florence， magically does justice to both these contrasting works by immersing himself into the oscillations of one work and conjuring an urgent， dramatic force in the other.
発売日: 2020/10/2
輸入盤US
レーベル: Audite
収録曲:

コメント:Andrea Lucchesini is one of Italys most prominent pianists who has established his reputation with a recording series of the complete Beethoven sonatas as well as of chamber music (including for audite). His latest project is dedicated to the late piano works of Franz Schubert - a multifaceted musical cosmos in which Schubert liberates himself from Beethovens influence and pushes forward far into the modern age. This is also true of the two works that Lucchesini now presents in the third and final volume of his highly acclaimed Schubert series. They could not be more different: whilst the G major Sonata， D. 894， opens with tender sounds which only gradually die out and seem improvisatory， the Sonata in C minor， D. 958， with its robust opening chords reminds us of Beethovens pianistic style. Schubert had deliberately opted for this as his point of departure， from which he then developed his own concept for a contemporary sonata. Andrea Lucchesini， born in Tuscany in 1965 and a student of the legendary Maria Tipo in Florence， magically does justice to both these contrasting works by immersing himself into the oscillations of one work and conjuring an urgent， dramatic force in the other.